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We may still wish to ask whether Plato's own use of Socrates as his main character has anything at all to do with the historical Socrates.

The question has led to a number of seemingly irresolvable scholarly disputes.

We also are introduced to the ideal of "Platonic love:" Plato saw love as motivated by a longing for the highest Form of beauty—The Beautiful Itself, and love as the motivational power through which the highest of achievements are possible. One of Plato's uncles (Charmides) was a member of the notorious "Thirty Tyrants," who overthrew the Athenian democracy in 404 B. Plato's relatives were not exclusively associated with the oligarchic faction in Athens, however.

Because they tended to distract us into accepting less than our highest potentials, however, Plato mistrusted and generally advised against physical expressions of love. These dates, however, are not entirely certain, for according to Diogenes Laertius (D. If Plato's date of death is correct in Apollodorus' version, Plato would have been born in 430 or 431. His stepfather Pyrilampes was said to have been a close associate of Pericles, when he was the leader of the democratic faction. When Socrates died, Plato left Athens, staying first in Megara, but then going on to several other places, including perhaps Cyrene, Italy, Sicily, and even Egypt.

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Plato, perhaps now completely disgusted with politics, returned to his beloved Academy, where he lived out the last thirteen years of his life. His grave, however, has not yet been discovered by archeological investigations. There can be no doubt that Plato was also strongly influenced by Parmenides and Zeno (both of Elea), in Plato's theory of the Forms, which are plainly intended to satisfy the Parmenidean requirement of metaphysical unity and stability in knowable reality.

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According to Diogenes Laertius, the respect was mutual (3.5). Whether or not any of these stories is true, there can be no question of Plato's mastery of dialogue, characterization, and dramatic context.

Supposedly possessed of outstanding intellectual and artistic ability even from his youth, according to Diogenes, Plato began his career as a writer of tragedies, but hearing Socrates talk, he wholly abandoned that path, and even burned a tragedy he had hoped to enter in a dramatic competition (D. He may, indeed, have written some epigrams; of the surviving epigrams attributed to him in antiquity, some may be genuine. 2.48-59, 3.34), were also well-known "Socratics" who composed such works. Kahn (1996, 1-35), concludes that the very existence of the genre—and all of the conflicting images of Socrates we find given by the various authors—shows that we cannot trust as historically reliable any of the accounts of Socrates given in antiquity, including those given by Plato.

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At least one important ancient source, Aristotle, suggests that at least some of the doctrines Plato puts into the mouth of the "Socrates" of the "early" or "Socrates" dialogues are the very ones espoused by the historical Socrates.

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